His story begins in 1968 when he went to the Draft Board as a conscientious objector, and subsequently decided to buy his own plane ticket to Vietnam to see what he could do to help the people there. As I've shared his story with friends since that day of our meeting, my rhetorical question is always "Who would do that?' Richard Hughes would and did, without knowing the language, the topography, the culture or anything else about what he would encounter, and managed to start safe houses for the street youth through a program he called "The Shoeshine Boys", building a network of relationships that have lasted to this day. In recent years, through the not-for-profit organization Loose Cannons, the work has moved into the area of helping the Vietnamese people receive recognition, aid and support for the physical damages and trauma caused by Agent Orange. Although it is now recognized that Agent Orange caused physical ailments to Americans who were exposed to it at that time, there has been no acknowledgement of the damage that was caused to the Vietnamese people or their country. What he is trying to do through the organization Loose Cannons is to move the topic out of the political arena and into the humanitarian one, once again addressing an issue head on in a very measured, professional and compassionate way.
There is another part of the story that has to do with how he came to be in the office near where I ran into him that day, and I'll share that here because it's all part of our shared community life. For many years, Douglas Durst and his daughter Anita have been supporters of the Circle Repertory Company and the LAB through the Durst Corporation and through Anita Durst's not-for-profit organization ChaShaMa, among other things giving space for shows and fundraisers when Circle Rep lost its long time theatre in the West Village and helping the Artistic Director of the LAB to stay in his apartment, which was also the LAB office, in the last years of his life when his health was failing. Douglas Durst is currently making it possible for the LAB to continue to meet in that space, effectively making it possible for this long term company to continue to connect with each other and keep the extensive theatre history alive. Richard Hughes and his partners in Loose Cannons had an office space that was lost due to a fire and subsequent water damage, and he thought to send an email to Douglas Durst to see if any space might be available. He heard back from him the next day, and Douglas Durst told him that he had responded because he and his wife had just come back from a trip to Vietnam. The office where Loose Cannons is located, and where I visited Richard Hughes about a week after our meeting as we crossed the street, is now under the umbrella of ChaShaMa, in a building where other artists ChaShaMa supports also have space.
There is a saying that some people come into your life for a reason or a season, and some are there for the long term. Richard Hughes went to Vietnam at a time in his life when everything was ahead of him - he had just received his MFA from Boston University and had attended Carnegie Tech, which is now Carnegie Mellon University, one of the most highly respected acting schools in the country, for his undergraduate studies, and he was on his way to his first Actors Equity Association job with the Theatre Company of Boston, another excellent step on the ladder for an actor's success. But he made the choice instead at that crucial time to walk away from the life he had planned to pursue, something that anyone who is an actor can tell you would be a nearly impossible choice to make. But make it he did, and he continues to make those choices every day, to do the things that he feels he must to make life better for others and give a voice to those who have none. As I was writing this, I looked back in my emails to copy and paste some of the links he had sent me, and I found an email I'd sent him a number of years ago. I'd been talking to a mutual friend of ours, an actress and singer who I have the highest respect for, and she said this, "You know how everyone has a price? He is the only person I know who doesn't." I'd sent him that quote in an email at the time, and true to his inimitable form, he'd replied with a joke, "I have a price. I have a price! Just a minute; let me find it!!!!!!!" He does have a price, and it's pure gold.
New York Times Op/Ed [9/16/17]
PBS News Hour [9/27/17]
WNYC, The Brian Lehrer Show: [9/29/17]
Richard Hughes In His Office
The Shoeshine Boys
Photograph - Philip Jones Griffiths, Magnum Inc.
Photograph - Philip Jones Griffiths, Magnum Inc.
Photograph - Philip Jones Griffiths, Magnum, Inc.
Photograph - Philip Jones Griffiths, Magnum, Inc.
Photograph - Philip Jones Griffiths, Magnum, Inc.
Photograph - Philip Jones Griffiths, Magnum, Inc.
Blessings,
Jannie Susan
