As we looked at the show together on the last day, I saw some things that I hadn't seen at the opening. On one piece in particular I began to notice that she had painted on the drift wood that adorned the painted waves. Something happened in that moment of time, because the paint on the driftwood became not just paint but a representation of moss and other sea growth and drew the viewer into the painted canvas in a way that bridged the lines between representation and realism, abstract art and sculpture and the images they represesented to the Artist and to the viewer. The real piece of wood seemed to be drifting on real waves, and the painted waves were no longer just paint but three dimensional as the viewer was drawn into the coolness and depth and color of the multi-hued blues and turquoises of the sea.
In a lovely touch, at the opening Alberte wore a turquoise dress, and I said as I arrived that she looked like she was the title of her work, "Of The Sea," and she answered, "I am!" She was born by the ocean and it is so much a part of who she is and what she knows in the depths of her being, and this show begins to share that feeling with all of us who see it. On a hot day in Manhattan we too could feel like we were in an ocean place, drifting on the waves of the sea.
Alberte Bernier
"Of The Sea"
At Chashama
266 West 37th Street
New York City
Blessings,
Jannie Susan
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